Thursday, March 17, 2011

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Urban interventions and building equity in the Florence



Microstoria the journal in 2005 and Florence in the monthly information in 2006
Text and photos by Robert Ferdinand

By the mid-nineteenth century in Florence she had felt the need to initiate action building and urban Nisticò that the best materials and hygienic city. With the temporary transfer of this capital requirement became a priority. So on November 14, 1864, just days after the signing of the Royal Decree stated that the new capital of Italy Florence, the city council Florentines, on the recommendation of the mayor Peruzzi, decided to establish a committee with the task of choosing the curators and the guidelines of the new project of enlargement of urban co-replace the link between the old and the new city. " The engineer
Del Sarto, Head of Municipal Art, was in charge of the interior of the city, while the architect and urban planner Giuseppe Poggi (1811-1901), his enlargement. At rest the Commissioners recognized the capacity of previous work performed in building and re-structuring (Villa Favard, Palazzo Canevaro and Santissima Annunziata), to marry well, but the classical-matrix with the fifteenth-century Tuscan school, as well as a good training planning, gained from the study trips to Paris and London.
In February 1865 the so Poggi presented to King Vittorio Emanuele II, for its approval, the master plan for the enlargement of the city, acting on the recommendations laid down by the municipal committee, "breaking down walls to build a big step [ ...] and the link between the streets of the old city and those that will open or change in existing neighborhoods. " The in-building and urban interventions of the plan indicated as priorities: roads, namely the widening of existing streets and riversides and the creation of new ones, and the development of new residential neighborhoods. The king was delighted.
In the spring of 1865 he gave the opening slaughter of the walls along their path on the right bank of the Arno, starting from the iron bridge outside door to the Cross (in the vicinity of the Ponte San Nicolò) to the Porta al Prato . The old border between the old and new Florence was replaced by a long passage lined, the ring road, completed in 1869. The project saw the installation of the square of the Zouaves (now Vittorio Veneto), as a new access to Ca-pad is that in those years became a good state-owned municipal property, and the isolation of the Fortezza da Basso, surrounded by tree-lined avenues, such as the English Cemetery, in the Piazza Donatello, with whom also was torn down the Porta a Pinti. It was redesigned Piazza San Gallo, who took the name of Piazza Cavour (now Piazza della Libertà), while keeping the old port, the Arc the Parterre and Grand Duke of Lorraine, but providing it with green space and surrounded by tall buildings with arcades there- . Similar action was taken for the current Piazza Beccaria, saving the main gate to the Cross. Along the sides of these streets were built new homes, where fate until then, in particular between the Cross and Borgo Borgo Pinti, he had only several small gardens.
in 1866 were built new Lungarno della Zecca, Serristori and Torrigiani and strengthened the defenses at the Cascine and riversides of the center flood of the Arno near the Ponte Rosso and against those of Mugnone.
On the left side of the city interested in the killing of walls taken from Piazzale Porta Romana to the current Galileo, to rise in 1865, the first part of the Avenue of Hills and Royal Mews. Work on the next stretch of the avenue and the panoramic square was begun in 1868 and com-pletely in 1871. The panoramic square took the name of Michelangelo, and in 1875 was placed a copy of David. In the same year the completion of the balustrade and the elegant loggia-coffee, this intention of the Poggi, should have a museum of Michelangelo.
Piazzale Michelangelo, the plaque dedicated to Giuseppe Poggi

Poggi also predicted that the Viale dei Colli continue beyond Porta Romana, in the hills of Bellosguardo to the pinion, and then to the Cascine, but for lack of funds was not made follow-on formulas. He was instead given a new place, with ramps, springs and caves-it oclassiche, the area under the square, around the ancient port of St. Nicholas, now precisely Piazza Poggi.
The killing of walls and the creation of new avenues and then the new expanded city boundaries giving birth to new residential areas. The City encompasses the its territory, the common Ro-vezzano, Careggi and Woodshed was completed the arrangement of the districts of Mattonaia of Maglio, barbers and Prato, also arose the new quarters of Savonarola, The Cure, and those in back-to Fortress da Basso. In all these districts would find accommodation for the 30,000-people who came to Florence in the transfer of the capital city, bringing the population to 150,000 residents Florentines. Instead, the poorest were transferred from the places covered by the work at the homes were built around the streets from City Hall, Gate to the Cross, the sprocket and outside the Porta San Frediano.
Poggi's plan could not fail to take account of specific military needs, In fact, the barracks were to rise close to the center of town and the new road network should ensure the rapid movement of cavalry in the event of riots. For this reason, following the instructions of Engineer I-tate, it was decided to place the Champ de Mars below the hill of Fiesole and connect to new avenues through the construction of the Military Avenue (now the Thousand). There were also former religious buildings around the station and barracks to house the Fort, and was destined for military purposes in 1888 is the area between the current Piazza Beccaria and Poggi instead Piave from which he had made a big garden enclosed by an embankment on parterre.
At the same time continue the work in the city center, where they been housed various government functions. It was in fact completed the widening of roads Panzani, Cerretani, Tornabuoni and Martelli, built the headquarters of the Bank of Italy on a dell'Oriuolo, while in Piazza della Signoria, was taken down the old roof de 'Pisani, site of the Old Post Office , to build the Palace Lavison. In 1862 it was announced the competition to cover the facade of the Duomo, which was won by Emilio De Fabris draft, but was not completed until 1887.
Additional treatments involved the construction of new markets to replace the old ones in the center. In 1871, then killed the Camaldoli unhealthy districts of San Lorenzo, inaugurated the covered market of San Lorenzo, then those of Saint Ambrose and San Frediano, while the new slaughterhouse and cattle market were built in the district of San Jacopino.
remained open arrangement of the old town center around the old market (the ghetto) consists of narrow streets and tall blocks of flats without compliance with hygiene and safety. Already on the eve of the transfer of the capital to Florence institutions had hoped for a speedy solution to the housing problem but only in 1895 was completed the demolition of the old market with the creation of Piazza Vittorio Emanuele II (now the Republic) and the covered gallery, while Poggi had the desired area for non-radical actions. The complex plan
Poggi, however, was only partially implemented, mainly due to lack of funds (in six years, however, were carried out 2,363 new homes, with more than 40,000 new living spaces, while larger buildings were 850). The Municipality of Florence had sustained the biggest expenditure, and then transfer the capital to Rome and the exodus of 30,000 people, was in fact co-tight to declare bankruptcy. RDF

Friday, March 11, 2011

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1860: Florence and Tuscany, the Italian lira was introduced



the journal Florence Tell
2005 Text and photos by Robert Ferdinand

in July 1860 in Florence and Tuscany is introducing the Italian lira, the derivation of the Piedmont, divided into one hundred and ten tenths cents. The Italian lira was then legal movement in Tuscany before the actual unification of Italy (1861), this at the behest of the Provisional Government of Tuscany, that it wanted to accelerate the annexation of Tuscany to the Kingdom of Savoy, which, although approved by the Tuscan with the plebiscite in the spring of 1860, they saw threatened by the republican movement. The new lira was minted by the mint of Florence and on one side was the effigy of King Vittorio Emanuele II surrounded by the words "Re-elect." The Piedmontese-Italian lira
thus replacing the Grand Duchy of Tuscany, but introduced in the period of Napoleonic rule, and other coins that circulated in the centuries Grand Duchy (money, democracies, money, Francesconi and Paul). The Grand Duchy of Tuscany
pound was divided into 20 shillings and 3 every penny in money, but could also be composed of 12 democracies (from the German translation of the cross), while democracies need 8 to have a paul. Mr Francesconi was the silver coin, that of the pure gold (a gold piece corresponded to more than 14 pounds), while the forint was famous for many decades been abolished, only to reappear, with designs and different values, briefly, in 1859 .
A Tuscan lira was the daily salary of an unskilled worker, whereas a train ticket for a regional trip will cost four. With the introduction of the Italian lira was established in Tuscany for the transition to the new currency that the pound was worth 84 cents Tuscan Italian.
On July 17, 1861, the Italian lira was extended to the whole Italian territory, but in Tuscany the money, the democracies, the money, the Francesconi and Paul continues to have legal value for many years. RDF

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The coating of the facade of the Cathedral Quarter

Text and photos by Robert Ferdinand

In a drawing of the sixteenth century, preserved in the Museo dell'Opera di Santa Maria del Fiore, you can see how it was originally covered, in part, the facade of the Duomo. That finish, however, was dismantled in 1491 to replace it with a new one, but then began a long debate on the opportunities and conditions of such intervention that you can until the end of the nineteenth century, leaving it bare for many centuries, the façade of the Cathedral.
In fact, only during the period when Florence was capital of the question, among thousands of controversy was resolved. In April 1864 he was in fact an international competition for the covering of the facade of the Duomo. Were presented on 43 different projects, the Selection Board, chaired by the Florentine sculptor Giovanni Dupre, I selected the first four and then two: Petersen of Denmark and the Florentine architect Emilio De Fabris. The design of Florentine, which drew freely to the original coating present on the sides of the Cathedral, which provided for the harness front end of the three high gables, won a majority of votes of the committee. But the contest was censored for legal reasons, then the result was annulled and in 1866 it launched a new international competition, delayed for a few years to the outbreak of war against Austria-Hungary in Veneto. Also confirmed this contest winner, among 40 competing designs, one of De Fabris. The committee praised the fact that tricuspid crown appeared to be less far from the character of medieval Tuscany, but causing controversy and dislikes among the experts. This crown was in fact similar to the one today on the marble facade of the Basilica of Santa Carrara Cross, which was opened on 3 May 1863 on a design dell'anconetano Niccolò Matas (a plaque near the main entrance of the Basilica note that there is buried the architect Matas in recognition of his work).
Work on the lining of the facade of the cathedral, however, began only in 1876 and culminated in the building, opened on 12 May 1887. Looking at the front of the Cathedral we see today that the three cusps were not realized. In fact De Fabris in 1883 and died the next leader of the work, Luigi Del Moro, after strong external pressure, he changed the original plan of using drawings left by De Fabris, who predicted that the authorities would have returned over the resolution passed.
RDF
The facade of the Duomo

The facade of the Basilica of Santa Croce

Wednesday, March 9, 2011

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Tuesday, March 8, 2011

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Il Maglio

the journal Florence in 2005 Informa
Text and photos by Robert Ferdinand

The area stretches from Piazza d'Azeglio and Piazza della Libertà historically called the Hammer of the district. This name comes from an old game, played in Florence since the fifteenth century, similar to the modern tambourine, but that required the use of a large wooden club, just the hammer. The space used for this game was a little country road that divided the convent of San Domenico in Cafaggio (which houses the Chiostro del Maglio), still present between Via Venezia and Via Cherubini, from the convent of San Marco, places at that time were outside the walls. In the following centuries it was made a wide road that runs alongside the convent, led off Florence and took the name of Via del Maglio.
The area underwent a significant change in the mid-nineteenth century town planning. Following the project Del Sarto Engineer (1862-64), the neighborhood was transformed into a residential area, in fact, where many buildings were built that housed the administrative staff of Florence during the reign capital. Instead, the expansion plan of the city, built by Giuseppe Poggi, abbot led to the walls that limited the district to the east, thus creating the ring of boulevards. On this occasion he was downcast, near Piazza San Gallo (now Piazza della Libertà) also the Torre del Maglio, a large struction from the curious shape of a pyramid, which was home to a powerful hydraulic pump used to distribute water from the district Pratolino. In 1878
Via del Maglio took the name of Via Alfonso La Marmora, which still holds today, in honor of General and former Prime Minister of the Kingdom, who had long lived in the nearby Via Venice and died in that year. While in 1882 the aforementioned convent of San Domenico in Cafaggio, desecrated, it became the headquarters remained until 1998, the prestigious School of Military Application of Health, the first Italian school for training military doctors. RDF

The cloister Il Maglio